For some reason, I woke up from my afternoon nap fantasizing about interrogation scenes.
I stopped as soon as I was fully conscious, because that sort of role-play just isn’t my thing. (Role play where giggling is completely out of character? I don’t know if I could manage it. Also, I have to admit, I don’t find politically relevant torture hot. I find it scary and depressing.) Still, some of the trappings are quite erotic, and I suspect that that is what spawned the initial fantasy, and the more I think about it the more I’m getting turned on by the concept of being beautifully defiant.
I think the fantasy is mostly about the theater. This particular sort of public play, for me, is often about performance, and I’m picturing this almost cinematically. I’d like to blame the performance piece that Monk* posted the other week, because it was so darn pretty. I think it, combined with the fact that I spent yesterday dressed as Emma Peel, set things percolating in my brain.
INT. INTERROGATION ROOM.
Slightly off to the right of center is a woman tied to a plain metal chair. Her head is bowed as though she’s sleeping, but if you look carefully you can see her hands trying to work their way out of their bonds. A scrape is visible on her cheek, and her once elegant black dress is disheveled. The room is lit by a single overhead fixture that shines a circle of light on the chair. No other furniture is visible. POV is from above, implying the presence of a security camera in the room.
The Interrogator steps silently out of the shadows behind the chair and lightly touches the woman’s wrist. She jumps. She didn’t know he was there.
THE INTERROGATOR
There’s no point in trying to escape that way, you know. You’re just going to injure yourself. I’ll see about getting some salve for the skin on your wrists. You’ve managed to rub them raw. We wouldn’t want the abrasions to become infected.
He walks around to the front of the chair, and the woman glares up at him defiantly. She holds his gaze continues to try and loosen the ropes, but no longer tries to do it subtly. She knows she’s not going to escape while he is in the room, but she’s making a point.
THE INTERROGATOR
I suspect you think I will be impressed by your defiance. I am not. This is simply a job for me. A job you will be making more difficult if I have to call in the doctors, so I would appreciate it if you would not make that necessary.
The woman continues to struggle against her bonds while holding his gaze. She is almost smirking, as if in the belief that her defiance is something that can not be taken away from her.
THE INTERROGATOR
I will not ask you politely again.
With a movement that comes so quickly that it appears completely unmotivated, the interrogator slaps the woman hard across the face. She is, momentarily, stunned. During the next speech, the interrogator walks around the chair, checks the ropes, perhaps reties some of them to make struggling more pointless. He is cold and impersonal throughout.
THE INTERROGATOR
Pain is a tool, you see. One for me to use on you, and I can’t have you distracted by injuries you have selfishly inflicted on your own skin. I have to be able to hurt you, as I choose, to get the information I need, and your silly struggles could impede that. Therefore I need you to stop.
The interrogator walks back into the shadows and we hear, but do not see, him moving around equipment and shuffling through the paper. As he gets to the end of the speech below, he returns to the front of the chair where he stands with his hands behind his back looking down at the woman. He is utterly calm, and it is the sense of quiet about him that lends the scene an almost palpable sense of menace.
THE INTERROGATOR
Up until now, we have been relatively kind to you. We have allowed you to maintain your dignity. We have not done anything that might cause you any significant physical or psychological damage. If you simply tell us the location of the tape, you can walk out of here pride and person intact. If, however, you persist in this stubbornness and petty defiance, we may need to resort to stronger tactics. It is, when it comes down to it, entirely your choice.
He takes a damp cloth from behind his back and dabs gently at the cut on her cheek.
THE INTERROGATOR
Therefore, I ask you again… Where have you taken the tape?
She spits in his face, and he doesn’t even wince. He just stands up, wipes his face with the same cloth, and walks back into the shadows.
THE INTERROGATOR
Very well then. I’d like you to remember that whatever comes next you’ve chosen as your fate. If at any time you’d like to provide me with the information I require, this can all stop. In the meantime, however…
He steps back into the light, which glints off the knife now held firmly in his dominant hand.
THE INTERROGATOR
…your precious dignity is the first thing that will have to go.
He pushes the POV camera so that it is focusing on a blank corner and we hear the sound of a knife ripping through fabric and the woman’s quickly cut off scream.
–
*Dear lord do I have a net crush on that man.
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